Full CV
Education
| 1997 | Habilitation. Qualified as full professor for media studies, University of Konstanz. Habilitation thesis on intermediality. |
| 1989, Ph.D | University of Hannover. Faculty of Humanities and Social Sciences. Dissertation on the concept of the avant-garde in modernism and post-modernism. |
| 1982, M.A | J. W. Goethe University of Frankfurt/Main. Dept. of German, American Studies and Philosophy. M. A. thesis: "Recent Developments in Feminist Film Theories." |
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Work Experience
| 2012-2015 | Dean of Faculty of Fine Arts at Lasalle College of the Arts in Singapore. |
| 2007-2012 | Research Professor, Chair of New Media, University of the West of Scotland. |
| 2011 | Guest Professor at Linnaeus University, Sweden |
| 2007 | Guest Professor at National University Singapore (NUS). |
| Guest Professor at Free University Berlin (FU), Germany. | |
| 2001-2007 | Professor of Visual Media, Braunschweig University of Art. |
| 1998 | Professor of Media Studies, University of Paderborn (replacement). |
| 1996-2000 | Assistant Professor, Dept. of Art History, University of Siegen. |
| 1993-1994 | Assistant to the Head of the Academy of Media Arts Cologne. |
| 1983-1989 | Teaching Appointment, Dept. of Theater and Film and additional teaching in the Dept. of Northern American Studies, Free University of Berlin. |
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Additional Teaching
| 2011 | Magis Gorizia International Film Studies Spring School, Italy. |
| 2007 | Graduate School "InterArts", Free University Berlin. |
| 2005 | Academy of Design and Art Zurich. |
| 2004 | Academy of Design and Art Zurich Institute of Cultural Studies in Art, Media and Design. |
| 2003 | University of Dundee, School of Imaging and Television and Fine Arts Dept. |
| 2000 | Merz Academy, Stuttgart. |
| 1995 | School of Film and Television, Babelsberg. |
| German Film Academy Berlin. | |
| Humboldt-University, Dept. of Cultural Studies, Berlin. | |
| 1994 | Film Academy of Baden-Württemberg. |
| 1993 | Institut for Communication Design, Konstanz. |
| Art Institute, Zurich, Dept. of Film and Video. | |
| 1992 | Academy of Arts, Berlin, Dept. of Film and Video. |
| 1991 | Art Institute, Offenbach, Dept. of Film. |
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Publications / Monographs
| Contemporary Indonesian Art - National University Singapore Press, Singapore 2017 |
| Indonesische Kunst der Gegenwart - Logos Publishers, Berlin 2015 |
| Hybrid Culture - MIT Press, Cambridge, Massachusetts 2013. |
| Video. The Reflexive Medium, is published in Japanese translation by Takeshi Ebine with Sangen-sha Press, Tokyo 2011. |
| Hybridkultur - Suhrkamp Press, Berlin 2010. |
| Video. The Reflexive Medium - MIT Press, Cambridge, Massachusetts 2008. |
| Video. Das reflexive Medium - Suhrkamp Press, Frankfurt 2005. |
| Research monograph on internet: Video and Computer. The Aesthetics of Steina and Woody Vasulka / La vidéo et l´ordinateur. L´esthétique de Steina and Woody Vasulka English and French, Daniel Langlois Foundation, Montréal. English: http://www.fondation-langlois.org/html/e/page.php?NumPage=461&Volet=4 French: http://www.fondation-langlois.org/html/f/page.php?NumPage=461&Volet=4 |
| Intermedialität. Das System Peter Greenaway - (Intermediality. The Systems of Peter Greenaway), (author), Wilhelm Fink Publishers, Munich 1998. |
| Eine Pfütze in bezug aufs Mehr. Avantgarde - Studies in Film, Theater, and Television, (author), edited by Renate Möhrmann, Frankfurt 1991. |
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Publications / Edited Volumes
| Take it or Leave it. Marcel Odenbach. Anthology of Texts and Video - (co-edited with Slavko Kacunko). Edition Video Art 2. Logos Publishers, Berlin 2013. |
| Kultureller Umbau. Räume, Identitäten und Re/Präsentationen - (co-edited with Meike Kröncke and Kerstin Mey), Transcript Publishers, Bielefeld 2007. |
| "Thematic Investigation: Forty Years of Video Art" - (organized by Yvonne Spielmann), Art Journal, vol. 65, no. 3, Fall 2006. |
| Special section: "CAA 2005: Hybridity: Arts, Sciences and Cultural Effects", Leonardo, Journal of the International Society for the Arts, Sciences and Technology - (guest edited by Yvonne Spielmann and Jay David Bolter), MIT Press 2006, vol.39, no.2 pp. 106-108, and vol.39 no.3 pp. 214-221. |
| Special issue: Hybrid Identities in Digital Media, Convergence. The Journal of Research into New Media - (guest edited by Kerstin Mey and Yvonne Spielmann), Sage Press, vol.11, no. 4, 2005. |
| Special Issue: Remédier/Remediation, Intermédialités - (English and French), (edited by Philippe Despoix and Yvonne Spielmannn), Université de Montréal, vol. 6, 2005. |
| Special issue: What is Intermedia?, Convergence. The Journal of Research into New Media - (guest edited by Jürgen Heinrichs and Yvonne Spielmann), University of Luton Press, vol. 8, no. 4, 2002. |
| Bild - Medium - Kunst - (Image - Medium - Arts), German/English, (editor together with Gundolf Winter), Wilhelm Fink Publishers, Munich 1999. |
| Kunst und Politik der Avantgarde - (editor), Contributions by Russell A. Berman, Jost Hermand, Thomas Y. Levin, Burkhardt Lindner, and Yvonne Spielmann, Frankfurt 1989. |
| Frauen Künste. Kunst und Öffentlichkeit - Catalog, (co-editor and co-author), Unna 1985. |
| FrauenFilmHandbuch - A Register of Women Film-makers, (co-author), Berlin 1984. |
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Publications / Book Chapters
| "Intermedialität in der kinematografischen Panorama-Installation Alias Yederbeck/Intermediality in the Cinematographic Panorama Installation Alias Yederbeck", in: Alias Yederbeck. Expanded Cinema Animation, ed. Frank Gessner, Re:Voir, Paris and HFF Potsdam-Babelsberg, 2014, pp. 156-196. |
| "Video between Television and Art: Interventions into Programme Flow and Standard Formats by British Video Artists", in: REWIND. British Artists? Video in the 1970s & 1980s, eds. Sean Cubitt and Stephen Partridge, John Libbey Publishing (2012), Chapter 3, pp. 55-74. |
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Articles
| "Shifting the Divide: Artistic Positions of Media Convergence and Cultural Diversity", in: Art & Technology: Changing Tinmes, Contemporary Trends, Future Platforms, eds. Arts Council Tokyo. The Japan Foundation Asia Center, Tokyo: 2017, pp. 9-14. | |
| "Hybride Räume - Vermischungen in japanischer Medienkultur", in: Wolkenkuckucksheim, vol. 21, no. 35, 2016: http://cloud-cuckoo.net/de/hefte/heft-35/. | |
| "5/62 Fenstergucker, Abfall, etc." and "15/67 TV", in: Kurt Kren: Structural Films, eds. Nicky Hamlyn, Simon Payne and A. L. Rees, Intellect (2016), pp. 75-90. | |
| "Thinking in Networks: Artistic-Architectural Responses to Ubiquitous Information", in: Ubiquitous Computing, Complexity, and Culture, eds. U. Ekman, J. D. Bolter, L. Diaz, M. Sondergaard, and M. Engberg, Routledge (2016), pp. 181-192. | |
| "Medienkunst als Intervention: Steina Vasulka, Gina Czarnecki und Seiko Mikami", in: Ada Lovelace. Die Pionierin der Computertechnik und ihre Nachfolgerinnen, ed. Sybille Krämer, Fink (2015), pp. 193 - 210. | |
| "Seeing to Believe - Sensing to Know: From Film Form to Perceptual Environment", (Reprint), in: The Cinema of Sensations, ed. Agnes Petho, Cambridge Scholars Publishing (2015), pp. 29-42. | |
| "Analog to Digital: Artists Using Technology", in: The Emergence of Video Processing Tools. Television becoming unglued, vol. 2, eds. Kathy High, Sherry Miller Hocking and Mona Jimenez, Intellect (2014), pp. 499-527. | |
| "Out of Image", in: Technology and Desire. The Transgressive Art of Moving Images, eds. Rania Gaafar and Martin Schulz, Intellect (2014), pp. 249-266. | |
| "Interaktion und Partizipation in künstlerischen Medienumgebungen", in: Heterotopien. Perspektiven der intermedialen Ästhetik, eds. N. Elia-Borer, C. Schellow, N Schimmel, B. Wodianka, Transcript, Bielefeld (2013), pp. 141-158. | |
| "Seeing to Believe - Sensing to Know. From Film Form to Perceptual Environment", in: Film & Media Studies, Sapientia Hungarian University of Transylvania, vol 7 (2013), pp. 21-34. | |
| "The Visual Flow: Fixity and Transformation in Photo- and Videographic Imagery", in: Heterogeneous Objects. Intermedia and Photography after Modernism, eds. Raphael Pirenne and Alexander Streitberger, Leuven University Press, Leuven (2013), pp. 101-117. | |
| "Media Arts as Intervention", in: Resolutions 3, Global Network of Video, eds. Ming-Yuen S. Ma and Erika Suderburg, University of Minnesota Press (2012), pp. 134-144. | |
| "Thinking in Networks", in: Remediating the Social, ed. Simon Biggs, University of Edinburgh (2012), pp. 125-128. | |
| "How does Difference Matter? Dialogue and Reflexivity in the Flow of Remediation", in: Film in the Post-Media Age, ed. Agnes Pethö, Cambridge Scholars Publishing (2012), pp. 17-34. | |
| "Perceptual-responsive environments: sense and sensibility in Japanese media artist Seiko Mikami's installations", in: Journal of Aesthetics & Culture, Vol. 4 (2012), pp. 114 - 129, http://dx.doi.org/10.3402/jac.v4i0.18395. | |
| "Mediatization and remediatization: Electronic experiments by Nam June Paik and Dara Birnbaum", in: TV Commune, de- inter- trans-, eds. Chaeyoung Lee and Seongeun Kim, Nam June Paik Art Center, Gyeonggi-do, Korea (2011), pp. 114 - 129. | |
| "Thinking in networks: artistic-architectural responses to ubiquitous information", in: Journal of Aesthetics & Culture, vol. 3 (2011). DOI: 10-3402/jac.v3i0.11511, p. 1-13. | |
| "Conceptual Synchronicity: Intermedial ENcounters between Film, Video and Computer", in: Expanded Cinema: Art Performance Film, eds. David Curtis, Al Rees, Duncan White, Steven Ball, Tate Publishing, London (2011), pp. 194-201. | |
| "’Alone and unobserved’ - Respons zu Wittgenstein in Kunst und Medien", in: Ludwig Wittgenstein. Verortungen eines Genies, eds. Jan Drehmel and Kristina Jaspers, Hamburg (2011), pp. 67-71. | |
| "Medienkulturelle Dialoge. Virtuell-interaktive Ethnoscapes", in: Kontaktzonen. Dynamik und Performativität kultureller Begegnungen, ed. Christoph Wulf, Paragrana - Internationale Zeitschrift für Historische Anthropologie, Akadmie Press Berlin (2010), vol 19, no.2, pp. 60-73. | |
| "New and Novelty in Contemporary Media Cultures", in: Film & Media Studies, Sapientia Hungarian University of Transylvania (2010), vol. 3, pp. 7-18. | |
| "Audio und/oder Video. Zur offenen Struktur elektronischer Medien", in: Ausweitung der Kunstzone. Interart Studies - Neue Perspektiven der Kunstwissenschaften, eds. Erika Fischer-Lichte, Kristiane Hasselmann and Markus Rautzenberg, Bielefeld: Transcript (2010), pp. 221 - 240. | |
| "Video, an Audiovisual Medium", in: Audiovisuology, eds. Dieter Daniels and Sandra Naumann, Köln, Buchhandlung Walther König (2010), pp. 315-325. | |
| "Video, ein audiovisuelles Medium / Video, an audiovisual medium", deutsch/english, Ludwig Boltzmann Institut, Linz (2010), http://beta.see-this-sound.at. | |
| "Reflexion des Fotografischen im visuellen Diskurs", in: Fotografie im Diskurs performativer Kulturen, ed. Martin Roman Deppner, Heidelberg, Kehrer (2009), pp. 146-156. | |
| "Mapping Scapes of Sound and Vision", Notes on the field work Simultaneous Echos, an audiovisual installation by Masaki Fujihata (visual artist) in collaboration with Frank Lyons (music composer) for ISEA 2009, Londonderry/Derry, Northern Ireland, in: ISEA 2009, 15th International Symposium on Electronic Art, Catalogue, 23 August - 1 September 2009, Interface: University of Ulster, pp. 108-115. | |
| "An Interview with Steina", Interview with Steina Vasulka by Yvonne Spielmann [republished from the website of the Daniel Langlois Foundation, 2003], in: Buffalo Heads. Media Study, Media Practices, Media Pioneers 1973-1990, eds. Woody Vasulka and Peter Weibel, ZKM and MIT (2008), pp. 508-515. | |
| "Zum Status des Bildlichen im Video", in: Abschied vom Zelluloid?, eds. Andreas Kirchner, Karl Prümm, Martin Richling, Schüren, Marburg (2008), pp. 26-38. | |
| "Differenz und Gleichheit. Identitätskonstruktionen in visuellen Medien", in: Medien - Körper - Imagination, eds. Mark Poster and Christoph Wulf, Paragrana - Internationale Zeitschrift für Historische Anthropologie, vol.17, no.1, Akademie Press (2008), pp. 228-246. | |
| "Matryca hybrydyzacji. Przemyslenia na temat japonskiej kultury mediow," in: Przeglad Kulturoznawczy (Cultural Studies Review), No. 3, Lodz (2007), pp. 63-75. | |
| "Paul Sharits: from Cinematic Movement to Non-directional Motion", in: Avant-Garde Film, eds. Alexander Graf and Dietrich Scheunemann, Rodopi, Amsterdam (2007), pp. 197-216. | |
| "Die Matrix der Hybridität. Überlegungen zur japanischen Medienkultur", in: Kultureller Umbau, eds. Meike Kröncke, Kerstin Mey and Yvonne Spielmann, Bielefeld (2007), pp. 117-135. | |
| "Copy, Remake und Remix. Die offene Struktur von Video/Copy, remake and remix. The open structure of video", in: Videonale 11, ed. Georg Elben, Köln (2007), pp. 132-148. | |
| "Audio-Visualisierung", in: Zapping Zone, eds. Gerhard Johann Lischka, Benteli Press, Bern and Zürich (2007), pp. 200-217. | |
| "Visualität und Bildlichkeit im intermedialen Vergleich: Film, Video und Computer", in: Image - Problem?, eds. Slavko Kacunko and Dawn Leach, Berlin (2006), pp. 217-230. | |
| "Video: From Technology to Medium", in: Art Journal, vol.65, no.3, Fall (2006), pp. 54-69. | |
| "Maschinen und Fliegen: Panamarenko", in: Blickfeld Gegenwartskunst, eds. Annelie Lütgens, Katharina Sykora, Salon Press, Köln (2005), pp. 220-234. | |
| "Elastische Räume und hybride Körper in den High Tech Science-Fiction Filmen Terminator 2 und The Matrix", in: "Körpermaschinen - Maschinenkörper. Mediale Transformationen", eds. Klaus-Peter Köpping, Bettina Papenburg, Christopf Wulf, in: Paragrana - Internationale Zeitschrift für Historische Anthropologie, Akademie Press, (2005), vol.14, no.2, pp. 145-161. | |
| "Schrift, Bild und Schreiben bei Peter Greenaway. Prospero´s Books und The Pillow Book", in: "Hand, Schrift, Bild.", eds. Toni Bernhart, Gert Gröning, in: Paragrana - Internationale Zeitschrift für Historische Anthropologie, Akademie Press, (2005), supplement 1, pp. 195-208. | |
| "The experimental video work of the Vasulkas in light of media developments in the 70's, 80's and in the present", Workshops with Professor Yvonne Spielmann (Ph.D), Text and Video Document, Daniel Langlois Foundation: http://www.fondation-langlois.org/html/e/page.php?NumPage=525 | |
| "History and Theory of Intermedia in Visual Culture", in: Intermedia: Enacting the Liminal, eds. Hans Breder and Klaus-Peter Busse, Dortmund, (2005), pp. 131-136. | |
| "Intermedialität und Hybridisierung", in: Intermedium Literatur, eds. Roger Lüdeke and Erika Greber, Wallstein Press, Göttingen, (2004), pp. 78-102. | |
| "Video and Computer. The Aesthetics of Steina and Woody Vasulka", Czech and English, in: Iluminance, no.2, ed. Lenka Dolanová, Prague, (2006), pp. 71-86. | |
| "An interview with Steina Vasulka, by Yvonne Spielmann", Daniel Langlois Foundation: http://www.fondation-langlois.org/html/e/page.php?NumPage=416 | |
| "An Interview with Bill Seaman, by YvonneSpielmann", Daniel Langlois Foundation: http://www.fondation-langlois.org/flash/e/index.php?NumPage=386", also published in: 'transcript', cross-wired communication-interface-locality, eds. Simon Yuill and Kerstin Mey, Manchester University Press, (2004), pp. 11-28. | |
| "Redimensionierung einer Grundspannung. Zu: 'Abstraktion und Einfühlung' ", in: Wilhelm Worringer Schriften, vol I and II, eds. Hannes Böhringer, Helga Grebing and Beate Söntgen, Wilhelm Fink Press, Munich (2004), pp. 1327-1337. | |
| "Hybridization: Some Reflections on the Technologies and Aesthetics of Contemporary Media Cultures", in: Art Inquiry, vol. V (XIV), Lodz (2003), pp. 155-178. | |
| "Elastic Cinema: Technological Imagery in Contemporary Science Fiction Films", in: Convergence. The Journal of Research into New Media Technologies, vol.9, no.3, (2003), pp. 56-73. | |
| "Video - the reflexive performance of media images", in: Coded Characters. Media Art by Jill Scott, ed. Marille Hahne, Cantz Press, Stuttgart, (2002), pp. 202-213. | |
| "From Text to Media: Intertext, Intermedia, and Hypermedia", in: From Work to Words, ed. Doris Frohnapfel, Bergen, (2002), pp. 70-79. | |
| "Das Bild der Schrift und des Schreibens in Peter Greenaways Film 'The Pillow Book' ", in: Schrift und Bild im Film, eds. Hans-Edwin Friedrich und Uli Jung, Bielefeld, (2002), pp. 81-95. | |
| "Medienästhetik: Voraussetzungen und Grundlagen", in: Einführung in die Medienwissenschaft, ed. Gebhard Rusch, Opladen, (2002), pp. 5-22. | |
| "De la temporalité à la spatialité", in: Dialogues sur l'art et la technologie, Autour d'Edmond Couochot, sous la direction de François Soulages, Paris, (2001), pp. 101-122. | |
| "Intermedia in Electronic Media", in: Leonardo, vol.34, no.1, (2001), pp. 55-61. | |
| "0190 - Differenz und Wiederholung", in: TV Trash. The TV-Show I love to hate, eds. Ulrike Bergmann and Hartmut Winkler, Marburg, (2000), pp. 59-70. | |
| "Zerstörung der Formen: Bild und Medium bei Jean-Luc Godard", in: Theater und Kino in der Zeit der Nouvelle Vague, eds. Volker Roloff and Scarlett Winter, Tübingen, (2000), pp. 111-124. | |
| "Is there an Avant-Garde in Digital Arts?", in: Art Inquiry. Recherches sur les arts, The Condition of Art at the Turn of the Century, vol.I (X), Lodz, (2000), pp. 109-116. | |
| "Visual Forms of Representation and Simulation: A Study of Chris Marker's Level 5", in: Convergence, vol.6, no.2, (summer 2000), pp. 18-40. | |
| "Aspekte einer ästhetischen Theorie der Intermedialität", in: Über Bilder sprechen. Positionen und Perspektiven der Medienwissenschaft, eds. Heinz-B. Heller, Matthias Kraus, Thomas Medier, Karl Prümm and Hartmut Winkler, Marburg, (2000), pp. 57-67. | |
| "Die Wiederkehr des ganz normalen Lebens im Film - eine Farce?", in: Nicht kleinzukriegen? Die Rückkehr des Sozialen im Film, (Arnoldshainer FG, vol. 16), eds. Ernst Karpf, Doron Kiesel and Karsten Visarius, Marburg, ( 2000), pp. 25-40. | |
| "Selbstreflexion im Videobild", in: Zeitschrift für Literaturwissenschaft und Linguistik, no.117, (2000), pp. 155-163. | |
| "Theory and Practice of the Avant-garde: Weiss's Approaches to Film", in: Rethinking Peter Weiss, eds. Jost Hermand and Marc Silberman, New York, (2000), pp. 75-91. | |
| "Aesthetic Features in Digital Imaging: Collage and Morph", in: Wide Angle, vol.21, no.1, (1999), pp. 131-148. | |
| "Wie man vielleicht den Zeitcharakter des Films mit dem plastischen Bildraum zusammensurren lassen kann", in: Zeit, ed. SYNEMA, Wien, (1999), pp. 66-80. | |
| "Vision und Visualität in der elektronischen Kunst/Vision and Visuality in Electronic Art", (German/English), in: video cult/ures. Multimediale Installationen der 90er Jahre, ed. Ursula Frohne, Dumont/ZKM Karlsruhe, Köln, (1999), pp. 62-78. | |
| "Schichtung und Verdichtung im elektronischen Bild", in: Bild - Medium - Kunst, eds. Yvonne Spielmann and Gundolf Winter, München, (1999), pp. 59-75. | |
| "Klocki do teorii intermedialnosci obrazu", (trans. by Andrzej Gwozdz), in: Wspolczesna Niemiecka Mysl Filmowa. Od projektora do komputera, ed. Andrzej Gwozdz, Katowice (Slask 1999), pp. 157-180. | |
| "Expanding Film into Digital Media", in: Screen, vol.40, no.2, (1999), pp. 131-145. | |
| "Film w epoce elektronicznej. Dyskusja panelowa", in: Kino ma 100 lat, dekada po dekadzie, Universität Lodz, (1998), pp. 344-353. | |
| "History and Theory of Intermedia in Visual Culture", in: ISEA'97 (International Symposium on Electronic Art), conference proceedings, ed. The School of the Art Institute of Chicago, (1998), pp. 61-62. | |
| "Intermedia and the Organization of the Image: Some Reflections on Film, Eelectronic, and Digital Media", in: Iris. A Journal of Theory on Image and Sound, no.25, (1998), pp. 61-74. | |
| "Representation of Time, Movement and Space in Intermedia Arts", in: Come to your Sense! Event and Engagement, Conference Papers ASCA, Amsterdam, (25-29 May, 1998), pp. 75-80. | |
| "Digitalisierung. Zeitbild und Raumbild", in: Der Film bei Deleuze/Le Cinéma selon Deleuze, (German/French), eds. Oliver Fahle and Lorenz Engell, (1997), pp. 496-515 and 516-535. | |
| "Collage, die schönste Sorge eines Formalisten. Zur Historizität von Bildformen", in: Der Film in der Geschichte. Dokumentation der GFF-Tagung, eds. Knut Hickethier, Eggo Müller and Rainer Rother, (1997), pp. 255 - 268. | |
| "Die hyperdynamische Bildstelle und andere Formen intermedialer Selbstreflexion", in: Arbeitshefte Bildschirmmedien, no.65, Universität-GH Siegen, (1997) pp. 33-40. | |
| "Bausteine zu einer Theorie intermedialer Bildgestaltung", in: Die Frage nach dem Kunstwerk unter den heutigen Bildern, eds. Hans Belting and Siegfried Gohr, (1996), pp. 139-161. | |
| "Aus der Dämmerung/Out of the Dusk", in: Der grosse Guckkasten/The Grand Panorama, Exhbition catalog Stefan Bohnenberger, (1996), pp. 11-18/33-39. (english version) | |
| "Metaphoriken des Inter", in: Interaktiv. Im Labyrinth der Wirklichkeiten, ed. Wolfgang Zacharias, (1996), pp. 38-50. | |
| "Zentralperspektive und Symmetrie. Zählsysteme und Enzyklopädie als filmische Struktur. Peter Greenaway, ein Formalist par excellence?", in: Kinoschriften, no.4, (1996), pp. 31-44. | |
| "Liebe, Ekel und Amok. Die Ausgesperrten von Franz Nowotny nach einem Roman von Elfriede Jelinek", in: Der neue österreichische Film, ed. Gottfried Schlemmer, (1996), pp. 103-113. | |
| "Avantgarde", in: 100 Jahre: Frauen und Kino, eds. femme totale and feminale (Womens Film Festival), (1996), pp. 16-23. | |
| "Peter Greenaway. Film, eine Kunst nach Regeln? - Ein Gespräch mit Yvonne Spielmann", (public interview with Peter Greenaway) in: Der schöne Schein der Künstlichkeit, ed. Andreas Rost, (1995), pp. 71-115. | |
| "Intermedialität als symbolische Form", in: Ästhetik & Kommunikation 88, (1995), pp. 112-117. | |
| "Die Eierdiebe. Weibliche Zone von Gerda Edelweiss Grossmann and Margit Eschenbach", in: Neue Filme und Videos von 1984 bis 1994, eds. Eva Hohenberger and Karin Jurschick, (1994), pp. 201-209. | |
| "Framing, Fading, Fake: Peter Greenaways Kunst der Regeln", in: Film, Fernsehen, Video und die Künste. Strategien der Intermedialität, ed. Joachim Paech, (1994), pp. 132-149. | |
| "Zeit, Bewegung, Raum. Bildintervall und visueller Cluster", in: montage/av 2.2, (1993), pp. 49-68. | |
| "Ein unerhörtes Sprachlabor. Feministische Aspekte im Werk von Elfriede Jelinek", in: Elfriede Jelinek, eds. Kurt Bartsch and Günther Höfler, (1991), pp. 21-40. | |
| "Spiegelungen experimenteller Bilder im souveränen Blick", in: Frauen & Film, (1991), pp. 7-19. | |
| "Strategien der Perforation und Entgrenzung in Ginka Steinwachs' "Performance-Kunst", in: Ein Mund von Welt: Ginka Steinwachs, Text/s/orte/n, ed. Sonia Nowoelsky, (1989), pp. 53-61. | |
| "Der Scheintod der Avantgarde", in: Literaturmagazin, no.24, (1989), pp. 29-44. | |
| "Ein filmkulturelles Modell: Arsenal", in: Filmzeit, ed. Dieter Bertz, (1987), pp. 79-93. | |
| "Portrait Experimentalfilm: Elfi Mikesch", in: epd film, no.11, (1987), pp. 10-13. | |
| "Blicke und Perspektiven. Filmische Inszenierung weiblicher Identität", in: Feminismus und Wissenschaft, no.4, (1987), pp. 147-155. | |
| "Kino Blicke", in: Die Tageszeitung, July 19, (1986), pp. 10-11. | |
| "Gewalt und Leidenschaft in Kinoblicken", in: Feminismus und Wissenschaft, no.3, (1986), pp. 99-113. | |
| Contribution to "Ewig lockt das Weib?", Eds. Nadia Bagdadi and Irene Bazinger, (1984), pp. 158-182. | |
| "Einige Überlegungen zur weiblichen Rezeption", in: Dokumentation der 7. Sommeruniversität für Frauen, (1984), pp. 337-342. | |
| "Überlegungen zu feministischer Theaterästhetik", in: Theaterzeitschrift, no.9, (1984), pp. 78-86. | |
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Fellowships and Grants
| 2016 | Visiting Research Fellow, NTU Center for Contemporary Art Singapore |
| 2011 | The Japan Foundation Fellowship |
| 2010 | Carnegie Research Grant |
| 2009 | Carnegie Research Grant |
| The Great Britain Sasakawa Foundation Grant | |
| 2008 | The Royal Society of Edinburgh (International Exchange Programme) |
| Carnegie Research Grant | |
| 2007 | Visiting Professorship at National University of Singapore |
| 2005 | The Japan Foundation Fellowship |
| 2004 | Visiting Researcher, The Daniel Langlois Foundation, Montréal. |
| 2003 | Grant for Researchers in Residence, The Daniel Langlois Foundation, Montréal. |
| 2002 | Study and Conference Center at Bellagio Fellowship, The Rockefeller Foundation. |
| 2000-2001 | Fulbright Travel Grant |
| The Society for the Humanities Fellowship at Cornell University. | |
| 1998 | Publication Grant for the habilitation thesis, Deutsche Forschungsgemeinschaft. |
| 1994-1996 | Research Grant for the completion of the postdoctoral thesis (habilitation), Deutsche Forschungsgemeinschaft (German Research Foundation). |
| 1991-1993 | Postdoctoral Fellowship, University of Konstanz, Dept. of Media Studies. |
| 1990 | Research and Travel Grant for a Seminar with Leo Loewenthal (UC Berkeley). Istituto Italiano per gli Studi Filosofici, Naples. |
| 1989-1990 | Postdoctoral Fellowship, Center Fellow at the Getty Center for the History of Art and the Humanities, Santa Monica. |
| 1989 | Women Studies Research Fellowship, City of Berlin. |
| 1986-1988 | Predoctoral Fellowship, University of Hannover. |
Awards: |
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| 2011 | 20th Swedish prize to outstanding German scholars for Swedish-German Scientific Co-operation awarded from the Riksbankens Jubileumsfond |
| 2009 | Lewis Mumford Award for Outstanding Scholarship in the Ecology of Technics, presented by the Media Ecology Association |
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Memberships and Academic Services
| 2015 | Member of Linnaeus University Center for Intermedial and Multimodal Studies expert panel, Sweden. |
| 2010 | Member to Editorial Board of the international Journal "Film and Media Studies", Sapientia Hungarian University of Transylvania, Romania. |
| Member of intermedial and multimodal expert panel, Sweden | |
| 2009-2012 | Member of the European Science Foundation Pool of Peer Reviewers |
| 2001-2007 | Committee member for the selection of exchange students of the German section of Fulbright Commission |
| 2001-2006 | Member of the "Centre de recherche sur l'intermédialité" at Université de Montréal |
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Other Activities
| 2011 | Organizer of workshop "Transmedial Interaction" with participants from Japan, Singapore, Malaysia, Hongkong, Denmark and Sweden, funded by Riksbankens Jubileumsfond. |
| 2007 | Consultant for the conference "Creative Industries" at Asia-Pacific Weeks, Berlin, Sept 19-23. |
| Participant in round-table talk "Partisans of Utopia" together with Boris Groys and Klaus Staeck, Radio Feature, Deutschlandradio (German Broadcasting), broadcasted Feb 10, 2007. | |
| 2003 | Organizer together with André Gaudreault and Livia Monnet of the conference "Histoire et géographie d'un concept. L'intermédialité entre les savoirs" at "Centre de recherche sur l'intermédialité", Université de Montréal. |
| 1998 | Organizer of the symposium "Images - Media Images - Images in Media Arts", University of Siegen, April 16-18. |
| 1994 | Public discussion with David Bordwell, Munich. |
| Public Interview with the British film-maker Peter Greenaway, Munich. | |
| 1991 | Organization of the symposium "Humanities and the Arts: a dialogue" ("Wisssenschaft-Streit-Lust-Kunst"), Frankfurt/Main. |
| 1989 | Organization of the symposium "Art and Politics of the Avant-Garde" ("Kunst und Politik der Avantgarde") Frankfurt/Main. |
| 1984-1985 | Organization of the theater section at the Women's Art Festival, Unna. |
| Organization of the women section at the Berlin Theater Festival. | |
| 1985 | Internship, cultural section, State Radio (Hessen). Feature on the history of cinemas in Berlin since 1945. |
| 1984-1988 | Film criticism for various film journals. |
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Conferences
chairs of panels: |
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| 2011 | Co-Chair of "Leonardo"-Panel: "Hybrid Cultures", at the International Symposium on Electronic Art (ISEA), Istanbul. |
| Co-Chair of panel "Intermedial Soundscapes: Aesthetics and Art Practices", NECS (European Network for Cinema and Media and Media Studies) conference, London. | |
| 2010 | Co-chair of the panel "Intermediality, Curatorship and Location", NECS (European Network for Cinema and Media Studies) conference, Istanbul. |
| 2008 | Co-Chair of the panel "Eastern-Western Interaction in Digital Media", International Symposium of Electronic Arts 2008, Singapore. |
| 2006 | Chair of the session "Hybrid Spaces: New Forms of Mobility, Interactivity and Virtuality", Sixth International Crossroads in Cultural Studies Conference at Istanbul Bilgi University. |
| 2005 | Co-chair of the "Leonardo"-panel at the College Art Association Conference, Atlanta. |
| 2004 | Co-Chair of the panel and paper presentation at ISEA (International Symposium of Electronic Arts) in Helsinki, Stockholm and Tallinn, title: "Hybridity: Interfaces, Identities and the Arts". |
| 2002 | Chair of the Panel: "Cultural Effects of Mediatisation and Digitisation", Cultural Studies Conference "Crossroads", Tampere. |
| 1999 | Chair of the panel: "Digital Imagery Theory: How Do we Reconsider Theories of the Analogue Representation?", Society for Cinema Studies, Palm Beach, Florida. |
| 1998 | Chair of the panel and paper presentation on "Rereading Deleuze on Cinema", Society for Cinema Studies, San Diego. |
lectures, presentations: |
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| 2016 | "Jelineks Sprachlabor im Film", Universität Wien. |
| "The Art of Mixing in Contemporary Indonesian Wayang", Linnaeus University, Sweden. | |
| "Politics and Aesthetics: Contemporary Art in Southeast Asia", Symposium "Art and Technolgy", ICC and Japan Foundation, Tokyo, Japan. | |
| "Art Hubs in Südostasien", Kunstmarkt Indonesien & Südostasien, BMWI-Markterschließungsprogramm, Deutsche Bank Berlin. | |
| "Gegenwartskunst in Südostasien: Fokus Indonesien", ETH Zürich, Switzerland. | |
| "Contextualising Indonesian modern and contemporary arts", NTU/Center for Contemporary Art, Singapore. | |
| "Framing Diverstiy and Multiplicity: Indonesia's art developments from modern to contemporary", National Gallery Singapore. | |
| "Hybride Räume: Vermischungen in japanischer Medienkultur", Technische Universität Berlin. | |
| 2015 | "Indonesian Contemporary Arts", Art Bazar Jakarata, Indonesia. |
| "Contemporary Indonesian Art in Context", Westminster University, UK. | |
| 2014 | "Hybriditat in der Medienkunst", Universität der Künste Berlin. |
| 2013 | "Hybrid Culture", Lasalle College of the Arts, Singapore. |
| Keynote Lecture at "Doctoral Studies in Film and Media in the Age of Interdisciplinary Crossroads" conference, Department of Media Studies at Stockholm Univeristy. | |
| 2012 | Invited lecture at Stockholm University, Research School of Studies in Cultural History. |
| Invited lecture at Nomadikon. The Bergen Center of Visual Culture and Bergen Academy of Art, Norway. | |
| Keynote Lecture at XIV. International Cinema and Media Studies Conference in Transylvania, Cluj, Romania. | |
| Lecture at the symposium "Film, vidéo, télévision: autour du cinéma de Nam June Paik, Institut national d'histoire de l'art, Paris. | |
| Open Talk "Kunst der nächsten Gesellschaft", LMU, Dept Art History, Munich. | |
| Lecture at Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) conference "Remediating the Social", Edinburgh. | |
| Keynote Lecture at "Re-New/Interactive Media Arts Conference" (IMAC), Copenhagen. | |
| Invited Lectures at Stockholm University, Department of Advertising and PR | |
| Keynote to Lecture Series "Heterogeneous Objects. Intermedia and Photography after Modernism", Université catholique de Louvain, Belgium | |
| 2011 | Invited lecture at University of Applied Arts Vienna. |
| Invited lectures at Rikkyo University, Tokyo and The National Museum of Modern Art, Kyoto. | |
| Invited lecture "Hybridity and Cultural Translation" at University of Copenhagen. | |
| Invited speaker at the international symposium "Gift of Nam June Paik", Nam June Paik Art Center, Republic of Korea (South). | |
| Keynote Lecture at "The Culture of Ubiquitous Information", Nordic Research Stockholm Seminar, Royal Institute of Technology (KTH), Stockholm. | |
| Lectures at Malmö University, Södertörn University, Karlstad University and Royal Institute of Technology (KTH), Sweden. | |
| Lectures at University à Cattolica del Sacro Cuore, Milan. Lecture and workshops at Gorizia International Film School. | |
| Paper at "Eight International Symposium on Iconicity in Language and Literature", Växjö, Sweden. | |
| Paper at conference "Adaption and Media Transformation", Linnaeus University, Sweden. | |
| Lecture and workshop at University Basel. | |
| Lecture at Royal College of Art, London. | |
| Speaker at Club Transmediale Festival, Berlin. | |
| Lecture at Siegen University. | |
| 2010 | Guest Lecture at Free University Berlin. |
| Paper at conference "Virtual Space and Time", Linnaeus University, Sweden. | |
| Lectures and workshops at University of New South Wales, Sydney and University of Technology Sydney. | |
| Lecture at Sotheby's Institute of Art, London. | |
| 2009 | Keynote Lecture at XII. International Cinema and Media Studies Conference in Transylvania, Romania. |
| Lecture at "See this Sound" Symposium, Ludwig Boltzmann Institute, Linz. | |
| Keynote Lecture at ISEA (International Symposium on Electronic Art), Belfast. | |
| Paper at the conference "Expanded Cinema", Tate Modern, London. | |
| Lectures at Kyoto University, Rikkyo University, Tama Art University, Tsukuba University und Tokyo University of the Arts, Japan. | |
| Lecture at Lancaster University. | |
| Lecture at Royal College of Art, London. | |
| 2008 | Lecture at the conference "Technology and Desire - The Transgressive Art of Moving Images", ZKM - Center for Art and Media, Karlsruhe. |
| Lectures at Lasalle College of the Art and Nanyang Technological University in Singapore, and at Universiti Sains Malaysia, Penang. | |
| Lecture at Royal College of Art, London. | |
| Lecture at Glasgow School of Art. | |
| 2006 | Lecture and workshop at "Eikones: Iconic Criticism", University of Basel. |
| Lectures at University of Auckland and University of Waikato in New Zealand. | |
| Paper at the conference "Body-Media-Imagination", Irvine, jointly organized by Free University Berlin and UC Irvine. | |
| 2005 | Lectures at Kyoto Seika University and IAMAS, Japan. |
| Lectures at Georgia Tech University, Atlanta, Arizona State University and Santa Fe College. | |
| 2004 | Lectures and workshops in Montréal: Goethe-Institute, The Daniel Langlois Foundation and Université de Quebec à Montréal. |
| Paper at the 31st Congress of the Comité international d'histoire de l'art "Sites and Territories of Art History", Montréal. | |
| Paper at the College Art Association 92th Annual Conference, Seattle. | |
| 2002 | Paper at the Society for Cinema Studies Conference, Denver. |
| Lecture and workshop at the University of Montréal. | |
| Paper at the College Art Association 90th Annual Conference, Philadelphia. | |
| 2001 | Lecture at the conference "Multimodality of Culture", Tampere. |
| Paper at the video festival "Dreamcatcher", Kiev. | |
| 2000 | Paper at the Society for Cinema Studies conference, Chicago and at the University of Illinois, Chicago. |
| 1999 | Paper at the INVENCAO conference and talk at the Goethe-Institute, Sao Paulo. |
| Lecture and Workshop at School of Television and Imaging of the University of Dundee, Scotland. | |
| 1998 | Lecture series at the Center for Twentieth Century Studies, Milwaukee; Cornell University, and the Humanities Institute at Stony Brook. |
| Keynote speaker at the Wisconsin Workshop "Peter Weiss", Madison and at the Peter Weiss Conference, Duke University, Durham. | |
| Paper at the International Symposium on Electronic ART (ISEA), Liverpool. | |
| 1997 | Lecture at the conference "Concept: Avant-garde", Vienna. |
| Guest Lecture/Seminar at the University of Iowa. | |
| Paper at the International Symposium on Electronic Art (ISEA), Chicago. | |
| 1996 | Panelist at the International Conference "A Hundred Years of Cinema", Lodz. |
| 1995 | Lecture at the symposium "Time", Vienna. |
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