| |
| 1982, M.A |
J. W. Goethe University of Frankfurt/Main.
Dept. of German, American Studies and Philosophy.
M. A. thesis: "Recent Developments in Feminist Film Theories" |
| 1989, Ph.D |
University of Hanover.
Faculty of Humanities and Social Sciences
dissertation on the concept of the avant-garde
in modernism and post-modernism |
| 1997 |
Habilitation. Qualified as full professor for media studies
with a thesis on the theory of media, University of Konstanz
|
|
|
| 1983-1989 |
Teaching Appointment, Dept. of Theater and Film and additional teaching in the Dept. of Northern American Studies, Free University of Berlin. |
| 1993-1994 |
Assistant to the Head of the Academy of Media Arts Cologne |
| 1994-1995 |
Teaching Appointment, Academy of Media Arts Cologne |
| 1996-2000 |
Assistant Professor, Dept. of Art History, University of Siegen |
| 1998 |
Professor of Media Studies, University of Paderborn (replacement) |
| 2001-2007 |
Professor of Visual Media, Braunschweig University of Art |
| present |
Research Professor, Chair of New Media,
University of the West of Scotland
|
|
|
| 1991 |
Art Institute, Offenbach, Dept. of Film |
| 1992 |
Academy of Arts, Berlin, Dept. of Film and Video |
| 1993 |
Art Institute, Zurich, Dept. of Film and Video
Institut for Communication Design, Konstanz |
| 1994 |
Film Academy of Baden-Württemberg |
| 1995 |
Humboldt-University, Dept. of Cultural Studies,
Berlin
German Film Academy Berlin; School of Film and Television, Babelsberg |
| 2000 |
Merz Academy, Stuttgart |
| 2003 |
University of Dundee,
School of Imaging and Television and Fine Arts Dept. |
| 2004 |
Academy of Design and Art Zurich, Institute of
Cultural Studies in Art, Media and Design |
| 2005 |
Academy of Design and Art Zurich |
| 2007 |
Graduate School "InterArts", Free University Berlin
|
|
|
| Eine Pfütze in bezug aufs
Mehr. Avantgarde, Frankfurt 1991. Studies in Film, Theater,
and Television edited by Renate Möhrmann (author) |
Intermedialität. Das System
Peter Greenaway
(Intermediality. The Systems of Peter Greenaway) (author). Wilhelm
Fink Publishers, Munich 1998 |
Video. Das reflexive Medium
Suhrkamp Press, Frankfurt 2005 |
Video. The Reflexive Medium
MIT Press, Cambridge, Massachusetts, 2008 |
Hybridkultur
Suhrkamp Press, Berlin 2010
|
Forthcoming in 2010:
Japanese edition of "Video.The Reflexive Medium", translated by Takeshi Ebine,
Sangensha Press, Tokyo.
|
|
|
| FrauenFilmHandbuch,
Berlin 1984. A Register of Women Film-makers (Co-author). |
| Frauen Künste. Kunst und
Öffentlichkeit, Unna 1985. Catalog (co-editor and co-author). |
Kunst und Politik der Avantgarde,
Frankfurt 1989 (editor).
Contributions by Russell A. Berman, Jost Hermand, Thomas Y. Levin,
Burkhardt Lindner, and Yvonne Spielmann |
| Bild - Medium - Kunst (Image
- Medium - Arts) German/English, Wilhelm Fink Publishers, Munich
1999, editor together with Gundolf Winter |
| Special issue: What is Intermedia?,
Convergence. The Journal of Research into New Media, University
of Luton Press, vol. 8, no. 4, 2002 (guest edited by Jürgen Heinrichs
and Yvonne Spielmann) |
| Special Issue: Remédier/Remediation,
Intermédialités, no. 6, 2005, (English and
French), edited by Philippe Despoix and Yvonne
Spielmann
|
| Special issue: Hybrid Identities in Digital Media,
Convergence. The Journal of Research into New Media,
Sage Press, vol.11, no. 4, 2005 (guest
edited by Kerstin Mey and Yvonne Spielmann)
|
| Special section: "CAA 2005: Hybridity: Arts, Sciences and Cultural Effects",
Leonardo, Journal of the International Society for the Arts, Sciences and Technology, MIT Press 2006,
vol.39, no.2 pp. 106-108, and vol.39 no.3 pp. 214-221, (guest edited by Yvonne Spielmann and Jay David Bolter)
|
| Art Journal: "Thematic Investigation: Forty Years of Video Art"
Vol. 65, no. 3 Fall 2006, Organized by Yvonne Spielmann
|
Kultureller Umbau. Räume, Identitäten und Re/Präsentationen, Transcript Publishers, Bielefeld 2007, co-edited with Meike Kröncke and Kerstin Mey
|
|
|
| "Überlegungen zu feministischer Theaterästhetik",
Theaterzeitschrift 9 (1984): 78-86. |
| "Einige Überlegungen zur weiblichen
Rezeption", Dokumentation der 7. Sommeruniversität
für Frauen (1984): 337-342. |
| "Gewalt und Leidenschaft in Kinoblicken",
Feminismus und Wissenschaft 3 (1986): 99-113. |
| "Kino Blicke", Die
Tageszeitung July 19 (1986): 10-11. |
| Contribution to "Ewig lockt
das Weib?", Eds. Nadia Bagdadi and Irene Bazinger (1984): 158-182. |
| "Blicke und Perspektiven. Filmische Inszenierung
weiblicher Identität", Feminismus und
Wissenschaft 4 (1987): 147-155. |
| "Portrait Experimentalfilm: Elfi Mikesch",
epd film 11 (1987): 10-13. |
| "Ein filmkulturelles Modell: Arsenal",
in Filmzeit, ed. Dieter Bertz (1987): 79-93. |
| "Der Scheintod der Avantgarde",
Literaturmagazin 24 (1989): 29-44. |
| "Strategien der Perforation und Entgrenzung
in Ginka Steinwachs' "Performance-Kunst", in Ein
Mund von Welt: Ginka Steinwachs, Text/s/orte/n, ed. Sonia Nowoelsky
(1989): 53-61. |
| "Spiegelungen experimenteller Bilder im souveränen
Blick", in Frauen & Film (1991):
7-19. |
| "Ein unerhörtes Sprachlabor. Feministische
Aspekte im Werk von Elfriede Jelinek", in Elfriede
Jelinek, eds. Kurt Bartsch and Günther Höfler (1991):
21-40. |
| "Zeit, Bewegung, Raum. Bildintervall und
visueller Cluster", montage/av 2,2
(1993): 49-68. |
| "Framing, Fading, Fake: Peter Greenaways
Kunst der Regeln", in Film, Fernsehen, Video
und die Künste. Strategien der Intermedialität, ed.
Joachim Paech (1994): 132-149. |
| "Die Eierdiebe. Weibliche Zone von Gerda
Edelweiss Grossmann and Margit Eschenbach", Neue
Filme und Videos von 1984 bis 1994, eds. Eva Hohenberger and
Karin Jurschick (1994): 201-209. |
| "Intermedialität als symbolische Form,"
Ästhetik & Kommunikation 88 (1995):
112-117. |
| "Peter Greenaway. Film, eine Kunst nach Regeln?
Ein Gespräch mit Yvonne Spielmann", (public interview with
Peter Greenaway) in Der schöne Schein der
Künstlichkeit, ed. Andreas Rost (1995): 71-115 |
| "Avantgarde", in 100
Jahre: Frauen und Kino, eds. femme totale and feminale (Womens
Film Festival) (1996): 16-23. |
| "Liebe, Ekel und Amok. Die Ausgesperrten
von Franz Nowotny nach einem Roman von Elfriede Jelinek", in Der
neue österreichische Film, ed. Gottfried Schlemmer (1996):
103-113. |
| "Zentralperspektive und Symmetrie. Zählsysteme
und Enzyklopädie als filmische Struktur. Peter Greenaway, ein
Formalist par excellence?" in Kinoschriften
4 (1996): 31-44. |
| "Metaphoriken des Inter", in
Interaktiv. Im Labyrinth der Wirklichkeiten, ed. Wolfgang Zacharias
(1996): 38-50. |
| "Aus der Dämmerung/Out of the Dusk",
in Der grosse Guckkasten/The Grand Panorama.
Exhbition catalog Stefan Bohnenberger (1996): 11-18/33-39. (english
version) |
| "Bausteine zu einer Theorie intermedialer
Bildgestaltung", in Die Frage nach dem Kunstwerk
unter den heutigen Bildern, eds. Hans Belting and Siegfried
Gohr (1996): 139-161. |
| "Die hyperdynamische Bildstelle und andere
Formen intermedialer Selbstreflexion", in Arbeitshefte
Bildschirmmedien 65, Universität-GH Siegen (1997): 33-40. |
| "Collage, die schönste Sorge eines Formalisten.
Zur Historizität von Bildformen" in Der
Film in der Geschichte. Dokumentation der GFF-Tagung. eds.
Knut Hickethier, Eggo Müller, and Rainer Rother (1997): 255 -
268. |
| "Digitalisierung. Zeitbild und Raumbild",
in Der Film bei Deleuze/Le Cinéma selon
Deleuze (German/French), eds. Oliver Fahle and Lorenz Engell
(1997): 496 - 515 and 516 - 535. |
| "Representation of Time, Movement and Space
in Intermedia Arts", in: Come to your Sense!
Event and Engagement, Conference Papers ASCA, Amsterdam (25-29
May, 1998): 75-80. |
| "Intermedia and the Organization of the Image:
Some Reflections on Film, Eelectronic, and Digital Media", in
Iris. A Journal of Theory on Image and Sound 25 (1998): 61-74. |
| "History and Theory of Intermedia in Visual
Culture", in ISEA'97 (International Symposium
on Electronic Art), conference proceedings. ed. The School
of the Art Institute of Chicago (1998): 61-62. |
| "Film w epoce elektronicznej. Dyskusja panelowa",
in Kino ma 100 lat, dekada po dekadzie,
Universität Lodz (1998): 344-353. |
| "Expanding Film into Digital Media",
in Screen, vol. 40. no. 2, (1999): 131-145. |
| "Klocki do teorii intermedialnosci obrazu",
(trans. by Andrzej Gwozdz) in: Wspolczesna Niemiecka
Mysl Filmowa. Od projektora do komputera, ed. Andrzej Gwozdz,
Katowice (Slask 1999): 157 - 180. |
| "Schichtung und Verdichtung im elektronischen
Bild", in Bild - Medium - Kunst, eds.
Yvonne Spielmann and Gundolf Winter, München (1999): 59 - 75. |
| "Vision und Visualität in der elektronischen
Kunst/Vision and Visuality in Electronic Art", German/Engl.,
in video cult/ures. Multimediale Installationen
der 90er Jahre, ed. Ursula Frohne, Dumont/ZKM Karlsruhe, Köln
(1999): 62-78. |
| "Wie man vielleicht den Zeitcharakter des
Films mit dem plastischen Bildraum zusammensurren lassen kann",
in Zeit, ed. SYNEMA, Wien (1999): 66 -
80. |
| "Aesthetic Features in Digital Imaging: Collage
and Morph", in Wide Angle, vol. 21,
no. 1 (1999): 131 - 148. |
| "Theory and Practice of the Avant-garde:
Weiss's Approaches to Film", in Rethinking
Peter Weiss, eds. Jost Hermand and Marc Silberman, New
York (2000): 75-91. |
| "Selbstreflexion im Videobild", in
Zeitschrift für Literaturwissenschaft und
Linguistik, no. 117 (2000): 155 - 163. |
| "Die Wiederkehr des ganz normalen Lebens
im Film - eine Farce?", in Nicht kleinzukriegen?
Die Rückkehr des Sozialen im Film (Arnoldshainer FG, vol.
16), eds. Ernst Karpf, Doron Kiesel and Karsten Visarius, Marburg
( 2000): pp. 25 - 40. |
| "Aspekte einer ästhetischen Theorie
der Intermedialität", in Über Bilder
sprechen. Positionen und Perspektiven der Medienwissenschaft,
eds. Heinz-B. Heller, Matthias Kraus, Thomas Medier, Karl Prümm
and Hartmut Winkler, Marburg (2000): 57 - 67. |
| "Visual Forms of Representation and Simulation:
A Study of Chris Marker's Level 5", in Convergence,
vol. 6, no. 2 (summer 2000): 18 - 40. |
| "Is there an Avant-Garde in Digital Arts?",
in Art Inquiry. Recherches sur les arts,
The Condition of Art at the Turn of the Century, vol.I (X), Lodz (2000):
109 - 116. |
| "Zerstörung der Formen: Bild und Medium
bei Jean-Luc Godard", in Theater und Kino
in der Zeit der Nouvelle Vague, eds. Volker Roloff and Scarlett
Winter, Tübingen (2000): 111 - 124. |
| "0190 - Differenz und Wiederholung",
in TV Trash. The TV-Show I love to hate,
eds. Ulrike Bergmann and Hartmut Winkler, Marburg (2000): 59 - 70. |
| "Intermedia in Electronic Media", in
Leonardo, vol 34, no. 1 (2001): 55 - 61. |
| "De la temporalité à la spatialité",
in Dialogues sur l'art et la technologie,
Autour d'Edmond Couochot, sous la direction de François Soulages,
Paris (2001): 101 - 122. |
| "Medienästhetik: Voraussetzungen und
Grundlagen", in Einführung in die Medienwissenschaft,
ed. Gebhard Rusch, Opladen (2002), pp. 5 - 22. |
| "Das Bild der Schrift und des Schreibens
in Peter Greenaways Film 'The Pillow Book' " in Schrift
und Bild im Film, eds. Hans-Edwin Friedrich und Uli Jung, Bielefeld
(2002): 81 - 95. |
| "From Text to Media: Intertext, Intermedia,
and Hypermedia", in From Work to Words, ed. Doris Frohnapfel,
Bergen (2002): 70 - 79. |
| "Video - the reflexive performance of media
images", in: Coded Characters. Media Art by
Jill Scott, ed. by Marille Hahne, Cantz Press, Stuttgart (2002):
202 - 213. |
| "Elastic Cinema: Technological Imagery in Contemporary
Science Fiction Films", in Convergence. The
Journal of Research into New Media Technologies, vol. 9, no.
3 (2003), pp. 56-73 |
| "Hybridization: Some Reflections on the technologies
and Aesthetics of Contemporary Media Cultures", in: Art Inquiry,
vol. V (XIV), Lodz, 2003, pp. 155 - 178 |
| "Redimensionierung einer Grundspannung.
Zu: 'Abstraktion und Einfühlung' " in
Wilhelm Worringer Schriften, vol I and II, eds. Hannes Böhringer, Helga Grebing and Beate Söntgen, Wilhelm Fink Press
(Munich), 2004, pp. 1327 - 1337. |
"An Interview with Bill Seaman, by Yvonne
Spielmann", Daniel Langlois Foundation: http://www.fondation-langlois.org/flash/e/index.php?NumPage=386
also published in: 'transcript' cross-wired communication-interface-locality, edited by Simon Yuill and Kerstin Mey, Manchester University Press, 2004, pp. 11-28 |
"An interview with Steina Vasulka, by Yvonne
Spielmann", Daniel Langlois Foundation:
http://www.fondation-langlois.org/html/e/page.php?NumPage=416
|
"Video and Computer: The Aesthetic of Steina
and Woody Vasulka", Daniel Langlois Foundation: http://www.fondation-langlois.org/html/e/page.php?NumPage=461
short version also published in Czech and English: "Video and Computer. The Aesthetics of Steina and Woody Vasulka", in: Iluminance no. 2, 2006, edited by Lenka Dolanová, Prague, pp. 71 - 86. |
| "Intermedialität und Hybridisierung", in Intermedium Literatur, eds. Roger Lüdeke and Erika Greber, Wallstein Press, Göttingen (2004), pp. 78 - 102.
|
| "History and Theory of Intermedia in Visual Culture", in Intermedia: Enacting the Liminal, eds. Hans Breder and Klaus-Peter Busse, Dortmund (2005), pp. 131 - 136.
|
"The experimental video work of the Vasulkas in light of media developments in the 70's, 80's and in the present". Workshops with Professor Yvonne Spielmann (Ph.D)
Text and Video Document. Daniel Langlois Foundation:
http://www.fondation-langlois.org/html/e/page.php?NumPage=525
|
| "Schrift, Bild und Schreiben bei Peter Greenaway. Prospero´s Books und The Pillow
Book" in: "Hand, Schrift, Bild.", Toni Bernhart, Gert Gröning (eds.), Paragrana - Internationale Zeitschrift für Historische Anthropologie,
Akademie Press 2005, supplement 1, pp. 195 - 208.
|
| "Elastische Räume und hybride Körper in den High Tech Science-Fiction Filmen Terminator 2 und The Matrix", in "Körpermaschinen - Maschinenkörper. Mediale Transformationen", Klaus-Peter Köpping, Bettina Papenburg, Christoph Wulf (eds.),
Paragrana - Internationale Zeitschrift für Historische Anthropologie,
Akademie Press 2005, vol. 14, no. 2, pp. 145 - 161.
|
| "Maschinen und Fliegen: Panamarenko", in Blickfeld Gegenwartskunst, eds. Annelie Lütgens, Katharina Sykora, Salon Press, Köln (2005), pp. 220 - 234.
|
| "Video: From Technology to Medium", in Art Journal, vol. 65, no.3, Fall (2006), pp. 54 - 69.
|
| "Visualität und Bildlichkeit im intermedialen Vergleich: Film, Video und Computer", in Image - Problem?, eds. Slavko Kacunko and Dawn Leach, Berlin (2006), pp. 217 - 230.
|
| "Audio-Visualisierung", in Zapping Zone, ed. Gerhard Johann Lischka, Benteli Press, Bern and Zürich (2007), pp. 200 - 217.
|
| "Copy, Remake und Remix. Die offene Struktur von Video/Copy, remake and remix. The open structure of video" in: Videonale 11, ed. Georg Elben, Köln (2007): 132-148.
|
| "Die Matrix der Hybridität. Überlegungen zur japanischen Medienkultur", in Kultureller Umbau, eds. Meike Kröncke, Kerstin Mey and Yvonne Spielmann, Bielefeld (2007), pp. 117 - 135.
|
| "Paul Sharits: from Cinematic Movement to Non-directional Motion", in Avant-Garde Film, eds. Alexander Graf and Dietrich Scheunemann, Amsterdam: Rodopi, (2007), pp. 197-216.
|
| "Matryca hybrydyzacji. Przemyslenia na temat japonskiej kultury mediow," in Przeglad Kulturoznawczy (Cultural Studies Review), Lodz, (2007), No 3, pp. 63-75.
|
| "Differenz und Gleichheit. Identitätskonstruktionen in visuellen Medien", in Medien - Körper - Imagination, eds. Mark Poster and Christoph Wulf, Paragrana - Internationale Zeitschrift für Historische Anthropologie, Akademie Press (2008), vol 17, no.1, pp. 228-246.
|
| "Zum Status des Bildlichen im Video", in Abschied vom Zelluloid?, eds. Andreas Kirchner, Karl Prümm, Martin Richling, Schüren: Marburg, (2008), pp. 26 - 38.
|
| "An Interview with Steina". Interview with Steina Vasulka by Yvonne Spielmann [republished from the website of the Daniel Langlois Foundation, 2003], in Buffalo Heads. Media Study, Media Practices, Media Pioneers 1973-1990, eds. Woody Vasulka and Peter Weibel, ZKM and MIT, (2008), pp. 508-515.
|
| "Mapping Scapes of Sound and Vision", Notes on the field work Simultaneous Echos, an audiovisual installation by Masaki Fujihata (visual artist) in collaboration with Frank Lyons (music composer) for ISEA 2009, Londonderry/Derry, Northern Ireland, in ISEA 2009, 15th International Symposium on Electronic Art, Catalogue, 23 August - 1 September 2009, pp. 108-115.
|
| "Reflexion des Fotografischen im visuellen Diskurs", in: Fotografie im Diskurs performativer Kulturen, ed. Martin Roman Deppner, Heidelberg: Kehrer (2009), pp. 146-156.
|
"Video, ein audiovisuelles Medium / Video, an audiovisual medium ", deutsch/english, Ludwig Boltzmann Institut, Linz (2000),
http://beta.see-this-sound.at.
|
| "Video, an Audiovisual Medium", in: Audiovisuology, eds. Dieter Daniels and Sandra Naumann, Köln: Buchhandlung Walther König (2010), pp. 315-325.
|
Online Articles at Leonardo Digital Review:
La Biennale die Venezia, 52th International Art Exhibition
La Biennale di Venezia
The Cinema Effect
La
Biennale di Venezia. 50th International Art Exhibition: "Dreams
and Conflict. The Dictatorship of the Viewer"
Valie
Export. Media Anagrams
Theater goes Reality TV
Virtual
Arts in History and Present. Virtuelle Kunst in Geschichte und Gegenwart.
Visuelle Strategies by Oliver Grau
Digital
McLuhan. A guide to information millenium by Paul Levinson
SONAR 2006 -
13th Barcelona International Festival of Advanced Music and Mutimedia Art
Eternal Youth by Al and Al
Ars Electronica 2009
53rd Art Biennale Venice
|
|
|
| 1986-1988 |
Predoctoral Fellowship, University of Hanover. |
| 1989 |
Women Studies Research Fellowship, City of Berlin. |
| 1989-1990 |
Postdoctoral Fellowship, Center Fellow at the Getty Center for the
History of Art and the Humanities, Santa Monica. |
| 1990 |
Research and Travel Grant for a Seminar with Leo Loewenthal (UC
Berkeley). Istituto Italiano per gli Studi Filosofici, Naples. |
| 1991-1993 |
Postdoctoral Fellowship, University of Konstanz, Dept. of Media
Studies |
| 1994-1996 |
Research Grant for the completion of the postdoctoral thesis (habilitation),
Deutsche Forschungsgemeinschaft (German Research Foundation). |
| 1998 |
Publication Grant for the habilitation thesis
Deutsche Froschungsgemeinschaft. |
| 2000-2001 |
The Society for the Humanities Fellowship at
Cornell University. |
| Fulbright Travel Grant. |
| 2002 |
Study and Conference Center at Bellagio Fellowship
The Rockefeller Foundation. |
| 2003 |
Grant for Researchers in Residence,
The Daniel Langlois Foundation, Montréal |
| 2004 |
Visiting Researcher,
The Daniel Langlois Foundation, Montréal |
| 2005 |
The Japan Foundation Fellowship |
| 2007 |
Visiting Scholarship at National University of Singapore
|
| 2008 |
Carnegie Research Grant |
|
The Royal Society of Edinburgh ( International Exchange Programme)
|
| 2009 |
The Great Britain Sasakawa Foundation Grant |
|
Carnegie Research Grant |
| 2010 |
Carnegie Research Grant
|
Awards:
|
| 2009 |
Lewis Mumford Award for Outstanding Scholarship in the Ecology of Technics, presented by the Media Ecology Association
|
|
| since 2001, Member of the "Centre de recherche
sur l'intermédialité" at
Université de Montréal |
| 2001-2006, Committee member for the selection
of exchange students of
the German section of Fulbright Commission |
| 2006, Examiner for doctoral examination at University of Auckland, New Zealand |
2009-2012, Member of the European Science Foundation Pool of Peer Reviewers
|
since 2010, Member of intermedial and multimodal expert panel, Sweden
|
|
|
| 1984-1988 |
Film criticism for various film journals |
| 1985 |
Internship, cultural section, State Radio (Hessen).
Feature on the history of cinemas in Berlin since 1945 |
| 1984-85 |
Organization of the women section at the Berlin Theater Festival |
|
Organization of the theater section at the Women's Art Festival, Unna. |
| 1989 |
Organization of the symposium "Art and Politics of the Avant-Garde"
("Kunst und Politik der Avantgarde") Frankfurt/Main |
| 1991 |
Organization of the symposium "Humanities and the Arts: a dialogue"
("Wisssenschaft-Streit-Lust-Kunst"), Frankfurt/Main |
| 1994 |
Public Interview with the British film-maker Peter Greenaway, Munich. |
|
Public discussion with David Bordwell, Munich. |
| 1998 |
Organizer of the symposium "Images - Media Images - Images
in Media Arts", University of Siegen, April 16-18. |
| 2003 |
Organizer together with André Gaudreault and Livia Monnet
of the conference “Histoire et géographie d’un conept.
L’intermédialité entre les savoirs” at “Centre
de recherche sur l’intermédialité”,
Université de Montréal |
| 2007 |
Participant in round-table talk "Partisans of Utopia" together with Boris Groys and Klaus Staeck,
Radio Feature, Deutschlandradio (German Broadcasting), broadcasted Feb 10, 2007 |
| |
Consultant for the conference "Creative Industries" at Asia-Pacific Weeks, Berlin, Sept 19-23.
|
|
|
chairs of panels:
|
| 1998 |
Chair of the panel and paper presentation on "Rereading Deleuze
on Cinema", Society for Cinema Studies, San Diego |
| 1999 |
Chair of the panel: "Digital Imagery Theory: How Do we Reconsider
Theories of the Analogue Representation?", Society for Cinema
Studies, Palm Beach, Florida. |
| 2002 |
Chair of the Panel: "Cultural Effects of Mediatisation and Digitisation",
Cultural Studies Conference "Crossroads", Tampere |
| 2004 |
Co-Chair of the panel and paper presentation at ISEA (International
Symposium of Electronic Arts) in Helsinki, Stockholm and Tallinn,
title: "Hybridity: Interfaces, Identities and the Arts". |
| 2005 |
Co-chair of the "Leonardo"-panel at the College Art Association
Conference, Atlanta
|
| 2006 |
Chair of the session "Hybrid Spaces: New Forms of Mobility, Interactivity and Virtuality", Sixth
International Crossroads in Cultural Studies Conference at Istanbul Bilgi University
|
| 2008 |
Co-Chair of the panel "Eastern-Western Interaction in Digital Media", International Symposium of Electronic Arts 2008, Singapore
|
| 2010 |
Co-chair of the panel " Intermediality, Curatorship and Location", NECS (European Network for Cinema and Media Studies) conference, Istanbul.
|
lectures, presentations:
|
| 1995 |
Lecture at the symposium "Time", Vienna |
| 1996 |
Panelist at the International Conference "A Hundred Years
of Cinema", Lodz |
| 1997 |
Paper at the International Symposium on Electronic Art (ISEA), Chicago; |
| |
Guest Lecture/Seminar at the University of Iowa |
| |
Lecture at the conference "Concept: Avant-garde", Vienna |
| 1998 |
Paper at the International Symposium on Electronic ART (ISEA), Liverpool |
| |
Keynote speaker at the Wisconsin Workshop "Peter Weiss", Madison
and at the Peter Weiss Conference, Duke University, Durham |
| |
Lecture series at the Center for Twentieth Century Studies, Milwaukee;
Cornell University, and the Humanities Institute at Stony Brook |
| 1999 |
Lecture and Workshop at School of Television and Imaging of the
University of Dundee, Scotland |
| |
Paper at the INVENCAO conference and talk at the Goethe-Institute,
Sao Paulo |
| 2000 |
Paper at the Society for Cinema Studies conference, Chicago and
at the University of Illinois, Chicago |
| 2001 |
Paper at the video festival "Dreamcatcher", Kiev |
| |
Lecture at the conference "Multimodality of Culture", Tampere |
| 2002 |
Paper at the College Art Association 90th Annual Conference, Philadelphia |
| |
Lecture and workshop at the University of Montréal |
| |
Paper at the Society for Cinema Studies Conference, Denver |
| 2004 |
Paper at the College Art Association 92th Annual Conference,
Seattle |
| |
Paper at the 31st Congress of the Comité international d'histoire
de l'art "Sites and Territories of Art History", Montréal |
| |
Lectures and workshops in Montréal: Goethe-Institute, The
Daniel Langlois Foundation and Université de Quebec à
Montréal.
|
| 2005 |
Lectures at Georgia Tech University, Atlanta, Arizona State University and Santa Fe College |
| |
Lectures at Kyoto Seika University and IAMAS, Japan |
| 2006 |
Paper at the conference "Body-Media-Imagination",
Irvine, jointly organized by Free University
Berlin and UC Irvine.
|
| |
Lectures at University of Auckland and University of Waikato in New Zealand.
|
| |
Lecture and workshop at "Eikones: Iconic Criticism", University of Basel
|
| 2008 |
Lecture at Glasgow School of Art
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Lecture at Royal College of Art, London
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Lectures at Lasalle College of the Art and Nanyang Technological University in Singapore, and at Universiti Sains Malaysia, Penang.
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Lecture at the conference "Technology and Desire - The Transgressive Art of Moving Images", ZKM - Center for Art and Media, Karlsruhe
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| 2009 |
Lecture at Royal College of Art, London |
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Lecture at Lancaster University |
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Lectures at Kyoto University, Rikkyo University, Tama Art University, Tsukuba University und Tokyo University of the Arts, Japan |
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Paper at the conference "Expanded Cinema", Tate Modern, London
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Keynote Lecture at ISEA (International Symposium on Electronic Art), Belfast
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Lecture at "See this Sound" Symposium, Ludwig Boltzmann Institute, Linz |
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Keynote Lecture at XII. International Cinema and Media Studies Conference in Transylvania, Romania
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| 2010 |
Lecture at Sotheby's Institute of Art, London
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Lectures and workshops at University of New South Wales, Sydney and University of Technology Sydney
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© 2010 Yvonne Spielmann
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